Starving artist and expat Charlie is in desperate need of 800 euros in writer-director Jordan Blady’s darkly comedic first feature. To the audience’s great amusement, Blady’s narcissistic protagonist is willing to go to extraordinary lengths to get ahead. The sonnet-length, 74-minute indie debuted at the LA Film Festival in 2018.
Artists can’t control the state of the world in which their art debuts; for film productions, circumstances are even dicier. Does the movie match or combat the prevailing societal mood? Will the economy support its release? Are the themes pertinent to a current issue? If the work isn’t discovered initially, will it stand the test of time for a future audience? The stars aligned to answer these questions for Palm Springs, a romantic comedy that dropped on Hulu in July 2020.
Backed by a cast of relative unknowns, director Ken Loach delivers a story true to those living on the margins. The filmmaker’s latest work is set in Newcastle, a city in Northeast England, but without the accents and references to soccer, it could just as easily be set in New Haven, a city in the American Northeast. Loach and writer Paul Laverty empathize with members of the shrinking middle class who are casualties of globalization and negligent labor laws.
Two children experience the inscrutable while trapped in a remote cabin with their stepmother-to-be. The Lodge doesn’t bend genre conventions or invent a wholly original horror premise, but the twisty, austere, and perturbing psychological horror movie is the genre’s finest release since Midsommar. The latest from Parasite distributor Neon is also a memorable American introduction for Austrian directors Veronika Franz and Severin Fiala.
Director Josephine Decker’s (Madeline’s Madeline) Shirley Jackson biopic was one of the standout films at the 2020 Sundance Film Festival. Set just before the author’s premature death in 1965, Shirley is the backdrop for a larger conversation about the author’s underappreciated work, her tragic life, and the mid-century role of women in the household.
The end of a console generation usually signals a wave of indelible experiences. After years of learning a system’s capabilities, resourceful game developers craft the console’s grandiose swan songs.
Sony’s body-swapping adventure returned in 2019 for another nostalgic romp through the untamed frontier. Jumanji: The Next Level, the second Jumanji movie in as many years and the fourth since 1995, added Awkwafina, Danny DeVito, and Danny Glover, but the rest of the nostalgic franchise remains frozen in stasis.
The Aeronauts, a historical adventure of meteorology, frostbite, and hot air ballooning, dropped on Amazon Prime Video without fanfare last December. The film marks the second 2019 release—after Wild Rose—by director Tom Harper (not to be confused with director Tom Hooper of Les Misérables, The King’s Speech, and Cats fame). In spite of historical inaccuracies, there are worse ways to spend an afternoon than with leads Eddie Redmayne and Felicity Jones in their second biopic together (The Theory of Everything).
2019’s Where’d You Go, Bernadette is the nineteenth film from Richard Linklater, and one of the few women-led films in the writer-director’s catalog. Where’d You Go, Bernadette, adapted from a 2012 novel of the same name by Maria Semple, opts to change the novel’s narrative structure. The movie’s fresh framework kills the book’s central mystery and most of the resulting conflict. Not quite deep enough to serve as a character study, Where’d You Go must settle for an affable tale about an architect’s midlife crisis.
Halfway through 2015’s My Hindu Friend, the last film by Brazilian writer-director Héctor Babenco, its main character surmises, “Don't you think it's supremely insignificant in the history of humanity that you ran eight seconds faster than you did 20 years ago? We're never going to have another Fellini film, think of that. That's what matters.” Babenco (Kiss of the Spider Woman and Pixote) can’t match 8½, but his precipitously edited, wistful final film gives way to sporadic beauty.