Review: El Camino: A Breaking Bad Movie

Six years after the finale of Breaking Bad aired on AMC, series creator Vince Gilligan returned to one of the franchise’s lead characters with a feature-length film, El Camino: A Breaking Bad Movie, to firmly conclude this portion of the Breaking Bad story. (This shouldn’t be confused with lead character Saul Goodman (Bob Odenkirk), however, whose story is continued in AMC’s Better Call Saul.) Gilligan’s successfully returned to his signature story with Saul Goodman, but couldn’t generate the same results with Jesse Pinkman (Aaron Paul).

Review: Pet Sematary

With movie studios scrambling to produce (and re-produce) recognizable intellectual property, famed author Stephen King and his work are in high demand. Directors Kevin Kölsch and Dennis Widmyer were brought on to adapt Pet Sematary, a 1983 King novel of the same name. The novel’s second adaptation in 30 years, the studio should’ve followed the book’s choice wisdom: sometimes dead is better.

Review: Pulp Fiction

Pulp Fiction defined careers, a genre, and an era. With a plot that balanced three intertwining narratives more successfully than any film before or since, its praise is well warranted. Director Quentin Tarantino broke onto the film scene with 1992’s Reservoir Dogs, but Pulp Fiction, released two years later, got Hollywood’s attention like a shot of adrenaline to the heart.

Review: The Farewell

First shared as a story on the radio show This American Life, The Farewell is the second feature-length film by writer-director Lulu Wang. The Farewell is a deeply personal, both cheerful and solemn film about identity, the immigrant experience, and the role of family.