Oscars: Your Guide to the 2018 Best Picture Nominees

With the 91st annual Academy Awards ceremony mere days away, you may be rushing to squeeze one or two more 2018 flicks into your weekend schedule. Marveling at stardom and celebrity is great, but what’s the point of watching an award ceremony if you don’t recognize any of the nominees? (Meanwhile, I’m starting to piece together why I haven’t watched the Grammys in a decade.)

Review: The Favourite

Director Yorgos Lanthimos’s third movie in four years, The Favourite, was released at the end of 2018. A period piece about the reign and relationships of England’s Queen Anne, The Favourite isn’t afraid of having fun at the expense of its subjects’. Movies like The Favourite rarely allow the audience the lavish pleasure of believing that its characters were living, breathing, fallible human beings at one time or another. The Favourite is different. Its characters are cutthroat, duplicitous, and petty, and the result is worth witnessing.

Review: Black Panther

Created in 1966 by Jack Kirby and Stan Lee, Black Panther was the first black superhero published by Marvel Comics and the first notable black comic character published in the United States. Black Panther’s unique characterization as the genius king of a hidden, technologically-advanced African nation made him an obvious target for an adaptation in an era of the superhero-dominated box office. Comic book fans had been clamoring for a Black Panther movie for years, and writer-director Ryan Coogler, alongside the powers that be at Disney, did not disappoint.

Review: Widows

In unorthodox fashion, Steve McQueen followed a dramatic period piece about slavery with a heist movie centered around a cast of mostly women. That heist movie, Widows, is based on a British crime show of the same name that ran from 1983 to 1985. McQueen, the director and co-writer of Widows (alongside all-star crime-thriller novelist Gillian Flynn) has created an all-time heist movie. While the pair created a timeless thriller, they may have juggled one too many plot points for a two-hour film.