2020 Game of the Year: The Last of Us Part II

Santa Monica-based game developer Naughty Dog released The Last of Us in a nearly unrecognizable world in 2013. President Obama’s second term provided a backdrop of optimism—a serendipitous juxtaposition for austere art. Players controlled Joel (Troy Baker), the survivor of a zombie outbreak, as he trekked across the country with Ellie (Ashley Johnson), a girl immune to the pathogen. Joel and Ellie journeyed from Boston to Salt Lake City to deliver Ellie to a medical team that could turn her antibodies into a cure.

I’m Thinking of Ending Things Review: Kaufman Imitating Kaufman

Iain Reid’s internal, metaphysical, and reality-twisting debut novel, I’m Thinking of Ending Things, was the obvious source material for internal, metaphysical, and reality-twisting writer-director, Charlie Kaufman. Although Kaufman’s film echoes the novel’s arresting characters and haunting ideas about relationships, the human condition, and, of course, death, it is more of a faint impersonation of Reid’s novel than a true companion piece.

Klaus Review: 97 Minutes of Christmas Cheer

Your family’s Elf DVD is worn down to the label. You can recite The Santa Clause from memory. The same list of holiday specials run on repeat every winter season. Klaus (2019), an animated Santa Claus origin story from director Sergio Pablos, is a fresh-cut Douglas fir in your living room. Lighthearted, earnest, and brimming with more holiday cheer than a warm cup of hot chocolate, Klaus is a worthy addition to the Christmas movie rotation.

Iron Man Review: From Humble Beginnings

Marvel Studios launched the most successful film franchise in history with four of the world’s most recognizable faces, the director of Elf, and a $140 million budget. 2008’s Iron Man was by no means a Cinderella story, but the fire-engine red and gold hero was not a guaranteed box-office juggernaut. Twelve years later, it’s easy to retrace the studio’s journey behind a charismatic star, a perceptive producer, and its beloved universe of characters.

The Lord of the Rings: The Return of the King Review: A Bittersweet Conclusion

Peter Jackson’s fond farewell to Middle-earth is the standard-bearer for epic-fantasy filmmaking and the best work in the director’s lauded filmography. The Return of the King is a reasonably faithful adaptation of J.R.R. Tolkien’s final Lord of the Rings (LOTR) novel of the same name. Make no mistake: Jackson’s sign-off is indulgent, but with more than nine hours of film leading up to it, its sentimentality is earned.