Disney, the IP empire behind Marvel, Star Wars, and remakes of its own animated classics, was responsible for an asinine, unprecedented 80 percent of box office hits in 2019. The dominance of a single multimedia conglomerate is counter to the oligopoly that we’ve grown accustomed to in the entertainment industry (and, broadly speaking, the United States).
In 2005’s The Squid and the Whale, writer-director Noah Baumbach concentrated on Walt (Jesse Eisenberg) and Frank (Owen Kline), the children of divorcing parents. Returning to the subject of divorce 14 years later, Baumbach turns his camera on the adults. Marriage Story, like some divorces, is the manifestation of the swelling rage and lingering affection between two people who once shared every intimacy.