The Invisible Man Review: Injecting Pre-Existing IP Where It Isn’t Needed

The Invisible Man, an 1897 novel by sci-fi titan H.G. Wells, was an out-of-the-box choice for a horror movie adaptation. The 2020 movie of the same name is a far cry from the book; it’s a cross between an Elisabeth Moss vehicle and psychological horror movie. Blumhouse, the studio behind The Purge series and Get Out, used recognizable, existing IP to sell a movie concept. It’s become a familiar formula for Hollywood with Peter Berg’s poorly received Battleship (2012) coming nearly a decade ago and a Margot Robbie-led Barbie movie on the horizon.