Peter Jackson’s fond farewell to Middle-earth is the standard-bearer for epic-fantasy filmmaking and the best work in the director’s lauded filmography. The Return of the King is a reasonably faithful adaptation of J.R.R. Tolkien’s final Lord of the Rings (LOTR) novel of the same name. Make no mistake: Jackson’s sign-off is indulgent, but with more than nine hours of film leading up to it, its sentimentality is earned.
Peter Jackson and his army of cast and crew returned for a second trip to Middle-earth in 2002’s The Lord of the Rings: The Two Towers, based on author J.R.R. Tolkien’s fantasy epic of the same name. Centered around the breathtaking Battle of Helm’s Deep, a council of talking trees, and a band of hobbits on the perilous road to Mordor, the sequel surpasses the introductory Fellowship of the Ring. The Two Towers offers more swordplay, scares, and magic than its predecessor.