Review: There Will Be Blood

There Will Be Blood, the fifth film by writer/director Paul Thomas Anderson, represents a career turn that few others are capable of. Anderson’s first four films, Hard Eight, Boogie Nights, Magnolia, and Punch-Drunk Love were the work of an efficient, skilled filmmaker. Magnolia and Boogie Nights, in particular, suggested that Anderson may have a loftier vision than originally thought. With more experience under his belt, Anderson wrote There Will Be Blood. Three feature-length films later, There Will Be Blood is still Anderson’s defining masterpiece; it may remain that way for some time to come.

Review: Ex Machina

It’s rare that a weighty, succinct, cerebral film slips through the cracks in the Information Age, but that’s exactly what happened to 2015’s underappreciated Ex Machina. Most filmmakers (and, let’s be honest, studios) would be happy to take home nearly $37 million at the box office on a $15 million budget and secure an Academy Award for Best Visual Effects, but those accolades don’t seem like quite enough recognition for the best film of 2015.