Review: Can You Ever Forgive Me?

Based on a true story and a memoir of the same name, Can You Ever Forgive Me? follows Lee Israel, a biographer turned forger and her exploits across the collector book scene, in ‘90s New York City. One of the best films of 2018, Can You Ever Forgive Me? operates somewhere between a buddy comedy and Catch Me If You Can.

Review: Ben is Back

Ben is Back is a family drama, but more than that, it’s the scarcely seen mother-son relationship movie. Ben (Lucas Hedges) is a drug addict. His mother, Holly (Julia Roberts), loves him unconditionally and will do everything in her power to end Ben’s addiction to the substances that drive the two apart.

The Top 10 Movies of 2018

“Top heavy” may end up being the best descriptor for cinema in 2018. It was a better year than average at the movies, but the crème de la crème made it truly memorable. A black-and-white foreign film about the women who raise us, a documentary about skateboarding and more, and a live-action, animated bear elevated 2018.

Oscars: Your Guide to the 2018 Best Picture Nominees

With the 91st annual Academy Awards ceremony mere days away, you may be rushing to squeeze one or two more 2018 flicks into your weekend schedule. Marveling at stardom and celebrity is great, but what’s the point of watching an award ceremony if you don’t recognize any of the nominees? (Meanwhile, I’m starting to piece together why I haven’t watched the Grammys in a decade.)

Review: Spider-Man: Into the Spider-Verse

Whenever the superhero genre begins to lose its luster, a movie like Spider-Man: Into the Spider-Verse swings into theaters to recapture the feeling we had watching Tobey Maguire web his way across New York City for the first time. Like Guardians of the Galaxy before it, Spider-Man: Into the Spider-Verse came at the right time to combat superhero fatigue.

Review: The Favourite

Director Yorgos Lanthimos’s third movie in four years, The Favourite, was released at the end of 2018. A period piece about the reign and relationships of England’s Queen Anne, The Favourite isn’t afraid of having fun at the expense of its subjects’. Movies like The Favourite rarely allow the audience the lavish pleasure of believing that its characters were living, breathing, fallible human beings at one time or another. The Favourite is different. Its characters are cutthroat, duplicitous, and petty, and the result is worth witnessing.