Co-writer and director Sam Mendes entrusted his frequent collaborator and cinematographer, Roger Deakins, with an ambitious one-shot war epic. The 70-year-old director of photography delivered a cinematic achievement fitting of his visual genius.
After 11 months of dull blockbusters unlikely to inspire you to do more than check your watch, Ford v Ferrari zips into theaters to finally quicken your pulse. James Mangold, writer-director of Logan and director of 3:10 to Yuma (2007), delivers the blockbuster of the year in a prestigious, Gulf Oil blue alloy chassis.
In contrast with director Martin Scorsese’s last two gangster epics, Casino and Goodfellas, The Irishman is director Martin Scorsese’s first effort in the trilogy without the aid of non-fiction crime author Nicholas Pileggi. Pileggi, the scribe of the books and screenplays behind Casino and Goodfellas, was replaced by author Charles Brandt and veteran screenwriter Steve Zaillian. Zaillian’s script is masterful, but the heavily disputed source material raises questions that The Irishman declines to ask.
The Lighthouse—emphatically the best movie of the year featuring cabin fever, a delirious Willem Dafoe, and human-mermaid coitus—is writer-director Robert Eggers’s first film since 2016’s The Witch. Co-written with Eggers’s brother Max, The Lighthouse is a flawed-but-memorable follow-up to a horror genre masterpiece.
First shared as a story on the radio show This American Life, The Farewell is the second feature-length film by writer-director Lulu Wang. The Farewell is a deeply personal, both cheerful and solemn film about identity, the immigrant experience, and the role of family.
Spider-Man: Far From Home marks the eighth time in 17 years that your friendly neighborhood Spider-Man swung into theaters for a solo film. It wasn’t until the webhead’s sixth appearance in Spider-Man: Homecoming that you could truly say Sony Pictures and Marvel Studios had perfected the Spider-Man formula. By following Homecoming with the jubilant animated Spider-Man: Into the Spider-Verse and the European vacationing Spider-Man: Far From Home, it’s clear the studio giants understand that with great power there must also come great responsibility.
Joe Talbot and Jimmie Fails, two San Francisco natives, met in middle school before working together on a short film and eventually a feature about the unprecedented changes facing their city. Launched as a Kickstarter campaign in April 2015, The Last Black Man in San Francisco is as unique as the story of its production.