Bong Joon-ho’s splendid class-war thriller, Parasite, is waiting in the wings to become the Academy Awards’ first foreign-language Best Picture winner. Only one thing stands in the South Korean film’s way: the dogged, irrepressible march of history. If Bong hadn’t devised the year’s singular masterpiece, a perfect butter-and-salt blend of popcorn entertainment and shrewd cultural commentary, the betting-market favorite (and admittedly good) 1917 would be a respectable winner. With Parasite in the mix, 1917 is a tired return to the familiar.
Co-writer and director Sam Mendes entrusted his frequent collaborator and cinematographer, Roger Deakins, with an ambitious one-shot war epic. The 70-year-old director of photography delivered a cinematic achievement fitting of his visual genius.
Disney, the IP empire behind Marvel, Star Wars, and remakes of its own animated classics, was responsible for an asinine, unprecedented 80 percent of box office hits in 2019. The dominance of a single multimedia conglomerate is counter to the oligopoly that we’ve grown accustomed to in the entertainment industry (and, broadly speaking, the United States).