Iain Reid’s internal, metaphysical, and reality-twisting debut novel, I’m Thinking of Ending Things, was the obvious source material for internal, metaphysical, and reality-twisting writer-director, Charlie Kaufman. Although Kaufman’s film echoes the novel’s arresting characters and haunting ideas about relationships, the human condition, and, of course, death, it is more of a faint impersonation of Reid’s novel than a true companion piece.
Babyteeth Review: The Unnecessary Return of a Tired Trope
The sick-girl genre exploded in popularity after novelist John Green’s 2012 book, The Fault in Our Stars, and the Shailene Woodley and Ansel Elgort 2014 adaptation of the same name. If I Stay, Me and Earl and the Dying Girl, Everything, Everything, and a cascade of other teen romances have soured the originality of Green’s story. One can only hope that Babyteeth, Australia’s entry into this trite coming-of-age subgenre, is the last of its kind.
Da 5 Bloods Review: Spike Lee Reclaims the Black War Film
Black troops accounted for 32% of the American military force in Vietnam, but only 11% of the country’s population at the time. Spike Lee has dedicated his career to identifying socio-political issues, venerating and participating in film history, and restoring Black history. In Da 5 Bloods, Lee sets his sights on the Black soldier’s rightful place in the war film genre. Generations of Hollywood whitewashing and historical erasure have minimized Black military history. Lee’s uneven, affecting film, which debuted on Netflix in June, engages Donald Trump and war’s long-term impact on its participants.
Harley Quinn: Birds of Prey Review: The Familiar Emancipation of One Harley Quinn
Harley Quinn: Birds of Prey is the latest release in a series of amusing but empty comic book adaptations from the DC Extended Universe. The film, formerly known as Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), relies on the charisma of its title character to make good on its promise of light-hearted, homicidal fun. There’s only so much star Margot Robbie can do.
How to Train Your Dragon: The Hidden World Review: The Disappointing End to an Animated Classic
The third, and supposedly final, entry in the How to Train Your Dragon series, How to Train Your Dragon: The Hidden World was released in February 2019. Although series writer-director Dean DeBlois returned for the final third of the trilogy, the finale lacks the heart and charm of its predecessors. Apparently, cat-like dragons and their cute Viking owners are a gimmick that only has the staying power of two movies.
A Beautiful Day in the Neighborhood Review: A Predictable Day in the Neighborhood
Based on a 1998 Esquire article by journalist Tom Junod, A Beautiful Day in the Neighborhood is the second film about television entertainer Fred Rogers released in the last two years. With a cast that includes The Americans star Matthew Rhys, the reliably great Chris Cooper, and American icon Tom Hanks, the film is less than the sum of its parts.
Review: Jojo Rabbit
Jojo Rabbit, an adaptation of Christine Leunens’s book, Caging Skies, is the newest work from writer-director Taika Waititi. A toothless satire that struggles to spit venom at its totalitarian state subject, Jojo Rabbit is the first miss for Waititi.
Review: El Camino: A Breaking Bad Movie
Six years after the finale of Breaking Bad aired on AMC, series creator Vince Gilligan returned to one of the franchise’s lead characters with a feature-length film, El Camino: A Breaking Bad Movie, to firmly conclude this portion of the Breaking Bad story. (This shouldn’t be confused with lead character Saul Goodman (Bob Odenkirk), however, whose story is continued in AMC’s Better Call Saul.) Gilligan’s successfully returned to his signature story with Saul Goodman, but couldn’t generate the same results with Jesse Pinkman (Aaron Paul).
Review: It Chapter Two
Director Andy Muschietti and screenwriter Gary Dauberman return to the It franchise to invite us back to Derry, Maine. That damned clown is at it again. Only, this time, like a car ride to a new place, it (no pun intended) isn’t as scary or interesting on the second go around.
Based on a memoir titled Black Klansman by retired police officer Ron Stallworth, BlacKkKlansman, the a 2018 film from auteur director Spike Lee, will leave you feeling comforted, impassioned, and enraged, by both our country and its characters. Above all else, though, BlacKkKlansman may leave you frustrated by Lee’s unconventional methods and murky politics.