Star Wars: The Rise of Skywalker Review: The Rise of MacGuffins

Co-writer and director J.J. Abrams launched the newest trilogy of Star Wars movies with 2015’s The Force Awakens. Writer-director Rian Johnson’s challenging (and somehow controversial) second entry, The Last Jedi, indicated a shift in priorities for the franchise. In The Rise of Skywalker, Abrams returns to bookend the trilogy and nullify Johnson’s efforts to advance the canon.

The Top 10 Movies of 2019

Disney, the IP empire behind Marvel, Star Wars, and remakes of its own animated classics, was responsible for an asinine, unprecedented 80 percent of box office hits in 2019. The dominance of a single multimedia conglomerate is counter to the oligopoly that we’ve grown accustomed to in the entertainment industry (and, broadly speaking, the United States).

Marriage Story Review: A Raw, Standout Divorce Drama

In 2005’s The Squid and the Whale, writer-director Noah Baumbach concentrated on Walt (Jesse Eisenberg) and Frank (Owen Kline), the children of divorcing parents. Returning to the subject of divorce 14 years later, Baumbach turns his camera on the adults. Marriage Story, like some divorces, is the manifestation of the swelling rage and lingering affection between two people who once shared every intimacy.

The Top 10 TV Shows of 2019

With stars like Mahershala Ali, Toni Collette, and Meryl Streep slumming it on the small screen, 2019 was another year dominated by miniseries, anthologies, and bite-sized seasons. Although a handful of new faces were able to enter the collective consciousness, the year’s best work came from familiar names and shows.

The Irishman Review: Truth Be Damned

In contrast with director Martin Scorsese’s last two gangster epics, Casino and Goodfellas, The Irishman is director Martin Scorsese’s first effort in the trilogy without the aid of non-fiction crime author Nicholas Pileggi. Pileggi, the scribe of the books and screenplays behind Casino and Goodfellas, was replaced by author Charles Brandt and veteran screenwriter Steve Zaillian. Zaillian’s script is masterful, but the heavily disputed source material raises questions that The Irishman declines to ask.