If aliens came to Earth demanding to see the art that best represents us as a species, I would advocate for The Shawshank Redemption as the single film that embodies everything it is to be human. 1994’s The Shawshank Redemption is a tale of hope and despair, purity and corruption, and, perhaps most of all, victory and defeat.
Pulp Fiction defined careers, a genre, and an era. With a plot that balanced three intertwining narratives more successfully than any film before or since, its praise is well warranted. Director Quentin Tarantino broke onto the film scene with 1992’s Reservoir Dogs, but Pulp Fiction, released two years later, got Hollywood’s attention like a shot of adrenaline to the heart.
In his 2013 directorial debut, writer-director James Ward Byrkit (Rango) delivered a science-fiction classic on a $50,000 budget. As Coherence will teach you, stranger things can happen.
First shared as a story on the radio show This American Life, The Farewell is the second feature-length film by writer-director Lulu Wang. The Farewell is a deeply personal, both cheerful and solemn film about identity, the immigrant experience, and the role of family.
Eleven years after Fargo, the first film Joel and Ethan Coen should’ve been awarded an Oscar for, the Coen brothers finally took home the Academy’s top prize with No Country for Old Men. An old Hollywood adage surmises that directors never win Best Picture for their best work, but the Coen brothers certainly did.
Writer-director Quentin Tarantino has regularly repeated his desire to carefully craft a 10-film filmography. In what would be his penultimate film (counting the two-part Kill Bill saga a single movie, as Tarantino does), his latest effort, Once Upon a Time… in Hollywood, combines the director’s best qualities and most frustrating attributes to deliver a polarizing experience that has remained on my mind since I left the theater.
Fans of Ari Aster’s instant-classic horror movie Hereditary will recognize a similar framework in the writer-director’s sophomoric film, Midsommar. Although Midsommar has more in common with the thriller and mystery genres, Aster’s imprint is as clear as a sunny Scandinavian day. What Midsommar lacks in scares, it makes up in genuine laughs, captivating lore, and haunting imagery.