Two years after the release of the pulse-pounding Good Time, Josh and Benny Safdie return to the theater with Uncut Gems, their second respectable genre outing in as many years. Led by Adam Sandler giving the performance of a lifetime, breakout talent Julia Fox, and former NBA MVP Kevin Garnett, Uncut Gems is a modern thriller shot by vintage filmmakers. Fair warning: you’ll be using your jeans to dry your sweat-slicked palms.
The Two Popes draws a distinction between the reign of Pope Benedict XVI (Anthony Hopkins) and his successor, Pope Francis (Jonathan Pryce). Relative to Benedict, the movie positions Francis as benevolent, modern, and liberal. Under even the lightest of scrutiny, this intellectual dishonesty crumbles like the Eucharist in sacramental wine. As an artistic endeavor, The Two Popes doesn’t fare any better.
Based on a 1998 Esquire article by journalist Tom Junod, A Beautiful Day in the Neighborhood is the second film about television entertainer Fred Rogers released in the last two years. With a cast that includes The Americans star Matthew Rhys, the reliably great Chris Cooper, and American icon Tom Hanks, the film is less than the sum of its parts.
In Miss Americana, documentarian Lana Wilson explores eating disorders, fame, and celebrity politics through subject Taylor Swift. Wilson, whose directorial credits include documentaries about Japanese suicide and late-term abortion, finds similar depth in the ensuing inspection of Swift’s character. Modern celebrity documentaries are overproduced to a fault, but Swift’s vulnerability allows Wilson the access needed to craft an early contender for the best documentary of the year.
Queen and Slim’s title characters (Jodie Turner-Smith and Daniel Kaluuya, respectively) are billed as the black Bonnie & Clyde. Screenwriter Lena Waithe (Master of None) draws parallels to the infamous outlaw couple throughout the film; although both parties are fugitive lovers on the run, the circumstances surrounding their most-wanted statuses are determined by the racial history of the country hunting them.
More than a year out from the 93rd Oscars, the politicking and jockeying of the horse race—although I’m remiss to use another equine term—have commenced. There’s a comfortable certainty around five of the likely nominees while the remaining spots will generate award season’s tension and suspense.
Nineteen performances from 17 extraordinary actors had my attention in 2019. From quiet rage (Kelvin Harrison Jr. in Waves) to the explosive (Adam Driver in Marriage Story), and everything in between (Elisabeth Moss in Her Smell), 2019 displayed a Technicolor spectrum of human emotion.