Marvel Studios released 20 movies before Captain Marvel, its first helmed by a solo woman, came to theaters. Semantics will say that women co-starred in Ant-Man and the Wasp (Evangeline Lilly’s titular Wasp) and in Captain America: The Winter Soldier (with Scarlett Johansson as Black Widow), but the Brie Larson-led Captain Marvel is a new experience altogether (and a refreshing one, at that).
Based on a true story and a memoir of the same name, Can You Ever Forgive Me? follows Lee Israel, a biographer turned forger and her exploits across the collector book scene, in ‘90s New York City. One of the best films of 2018, Can You Ever Forgive Me? operates somewhere between a buddy comedy and Catch Me If You Can.
Ben is Back is a family drama, but more than that, it’s the scarcely seen mother-son relationship movie. Ben (Lucas Hedges) is a drug addict. His mother, Holly (Julia Roberts), loves him unconditionally and will do everything in her power to end Ben’s addiction to the substances that drive the two apart.
At the 2018 Oscars, a superhero movie was nominated for Best Picture, Best Actor was awarded to a performer for lip-syncing Freddie Mercury songs, and Driving Miss Daisy defied the laws of time and space by winning Best Picture again. If 2019 is as anomalous as 2018, attempting to predict the field is a fool’s errand. In that case, let’s get silly with 25 of the most likely nominees of 2019.
“Top heavy” may end up being the best descriptor for cinema in 2018. It was a better year than average at the movies, but the crème de la crème made it truly memorable. A black-and-white foreign film about the women who raise us, a documentary about skateboarding and more, and a live-action, animated bear elevated 2018.
A few years ago, I set out to watch every Best Picture winner dating back to The Godfather (1972). For some odd reason, after completing that monumental and occasionally boring task, I felt the need to become a true Oscar historian and watch them all. Forty-four movies later, I can say that I have. Essentially, I watched The Greatest Show on Earth so you wouldn’t have to. Without further ado:
Whenever the superhero genre begins to lose its luster, a movie like Spider-Man: Into the Spider-Verse swings into theaters to recapture the feeling we had watching Tobey Maguire web his way across New York City for the first time. Like Guardians of the Galaxy before it, Spider-Man: Into the Spider-Verse came at the right time to combat superhero fatigue.
Based on a memoir titled Black Klansman by retired police officer Ron Stallworth, BlacKkKlansman, the a 2018 film from auteur director Spike Lee, will leave you feeling comforted, impassioned, and enraged, by both our country and its characters. Above all else, though, BlacKkKlansman may leave you frustrated by Lee’s unconventional methods and murky politics.
As in the last 30 minutes of The Wolf of Wall Street or Goodfellas, Vice is the unusual extravagance that will have you watching through your fingers. Equally maddening and nauseating, writer-director Adam McKay’s messy Dick Cheney biopic is a must-see for historians and the politically interested alike.
Roma is the intimate story of a live-in housekeeper and the family that surrounds her in Mexico City. In spite of the film’s narrow purview, writer-director Alfonso Cuarón’s semi-autobiographical story teems with life.
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